I've been bemoaning the slightly run-down state of IF interpreter software. (The confusing font preference system in Gargoyle is just one example.) The fact is that the big surge of open-source IF activity was the late 90s and early 00s. Since then, coders have been drifting out of the community, and the ones still around have gotten lazy. (I include myself in that indictment, for damn sure.)

As a community, we do not have a tradition of mentoring and fostering new contributors to IF projects. All of our projects were made by people (most often solo developers) who got excited and wrote a whole application or library.

I like to think that we've got a good software stack, which smooths the path a little. You can write an Inform extension or a Glk library port or a Glulx engine core or a Parchment web service, and it will fit into the ecosystem. But it still starts with a person showing up with enough energy to start, build, and finish an idea. If someone shows up who is curious but not committed, we nod companionably and wait to see what happens. The results, over time, are predictable: activity slows down and stops.

With that introduction, you'd expect me to go on and talk about mentoring. But I don't know anything about mentoring. I'm one of the control freaks! I'd rather work on my own projects than collaborate.

Anybody want to think about community-building? (Hopeful look around...)

(Of course a lot of my projects are specifications and tools that interoperate with other people's code. So I kick myself in the ass and make it happen. But my natural talents do not lie in management.)

In this post, I'm going to talk about my plans as a solo IF tool developer. Warning: I will also talk about money.

I thought this was the boring part of the release process. Hadean Lands has been out for a couple of months, I've done a couple of iOS updates, time to settle down and work through the Kickstarter rewards. Plan for more distribution platforms, like Steam and the Humble Store. Boring stuff.

Wrong! It's crazy excitement time.

First thing this week, two fantastic reviews appeared:

"The best video game I played last year is a science-fiction thriller about alchemy, and it has no graphics or sound effects." -- David Auerbach, Slate

"Hadean Lands is an endlessly clever experience." -- Sean Clancy, Pocket Tactics

Suddenly the sales rate is going nuts, Twitter activity is buzzing, and my head is spinning.

When a wave of publicity hits, that's when you want a Steam Greenlight page, right? (Greenlight is the voting system that Steam uses to gauge public interest in new indie games.) So I have spent the past day constructing one. Here it is:

Vote for Hadean Lands on Steam Greenlight!

This isn't a purchase; it just indicates to Steam that this is the kind of game you want them to offer. When enough "yes" votes accumulate, I get a slot on the Steam storefront. (No, I don't know how many votes is enough.)

(Speaking of Greenlight, I note that two other parser IF games went up this month: Jack Toresal and The Secret Letter (Mike Gentry and David Cornelson) and The Shadow in the Cathedral (Ian Finley and Jon Ingold). There's also Her Story, which is not a text game, but is by IF author Sam Barlow. And that must only scratch the surface; I haven't even tried to survey the Greenlight world.)

Arisia, one of Boston's many sci-fi conventions, is coming up this weekend. I won't be there (I'm at Mystery Hunt) but several Boston IF people will be, and there are a whole slew of IF-related panels and events.

First, there will be another Lost Pig performance (with audience participation) on Friday evening, 7:00 pm, Grand Ballroom B. Hosted by Brad Smith, with live performances and foley.

Panels of IF relevance... (Note: I'm pulling these from the Arisia schedule, which is subject to change. Also, these are just the panels I see which strike me as relevant and/or which include IF people I know. There's a whole Gaming program track which you could go to.)

Games and Minority Representation (Friday 10:00 pm, Alcott): Heather Albano, Bob Chipman, Caelyn Sandel (m), Pablo Miguel Alberto Vazquez III

Gender and Gaming (Saturday 10:00 am, Griffin): Chris Denmead, Brian Liberge, Meghan McGinley (m), Maddy Myers, Caelyn Sandel, Brianna Wu

DIY Digital: Homemade Video Games (Saturday 4:00 pm, Faneuil): Adri, Heather Albano, Caelyn Sandel (m), Carolyn VanEseltine

The Internet Hate Train: Moving Past Gamergate (Saturday 5:30 pm, Faneuil): Adri, Bob Chipman, Maddy Myers (m), Caelyn Sandel, Alan Wexelblat, Brianna Wu

Games as Interactive Literature (Sunday 4:00 pm, Adams): Adri, Meghan McGinley, Joshua A.C. Newman, Rebecca Slitt, Alan Wexelblat (m)

Video Games as Art (Sunday 5:30 pm, Adams): Bob Chipman, Israel Peskowitz (m), Caelyn Sandel, Carolyn VanEseltine

Go, enjoy, stay hydrated.

I am proud to announce that I am the first Writer In Residence at the Trope Tank for the coming semester.

What is the Trope Tank, you ask? That's Nick Montfort's office at MIT, home of his enormous collection of classic videogame hardware, software, and literature. (You can see just one corner of it behind me in the photo.) (Although I think the Asteroids cabinet is out of order again.)

What does it mean that I am a Writer In Residence? Well, basically it means that I have a key, and I will be hanging out in the office once a week. Wednesdays, I expect. I will certainly be working on some kind of IF project there; possibly Glulx upgrade work or interpreter hacking. And, generally, I'll help keep the lights on -- Nick is on leave for the spring semester.

The People's Republic of Interactive Fiction will continue to hold monthly meetings in the Trope Tank. Possibly we will schedule other events there, such as IF writing circles. Details remain to be determined. Join the PRIF mailing list if you're interested.

Thank you, Nick. I look forward to the coming semester.